For those who don’t know, this is one of four blogs that I write for — several of my posts on this self-righteous left-wing blog are cross-posted to my own self-righteous right-wing blog Libertarian Rage, and I also write a blog for the Minnesota Fringe Festival at Womb with a View. I’ve already seen twenty-nine plays and we’re just starting the fifth day.
Since I’m a big part of promoting shows, and my politics do come up every now and again (albeit tangentially), I’ve had a number of artists e-mail me about their own libertarian proclivities. And, since I’m always trying to find ways to get more people at the Fringe, I did a post at Libertarian Rage letting people know about their shows.
Didn’t really think there’d be a lot of interest in that over here, but ran into Matt Foster the other night who encouraged me to repost it. So, if you’re interested in either political theatre (or theatre that has libertarians at least tangentially involved in it), here’s my list:
Bad Dad: A Comedy of Errers
I was lucky enough to catch a production of this while I was touring in Iowa, and it’s one of the most explicitly anti-state plays I’ve ever seen, period. If you’re looking to catch one show this time around, it’s this one.
Bleak, bitter, and funny as hell, this show works precisely because it recognizes that there’s *nothing* funny about the ideas it’s ridiculing. It tells the story of a man trapped between banks, law firms, the IRS, the Supreme Court, and the weight of the US government — and his frenzied attempts to beat the legal system at its own game, to win back his liberty and his family. It doesn’t shy away from just how totally, unapologetically *fucked* all of us are, and that it’s *not* just a minor inconvenience, it’s *not* just some silly, bureaucratic hassle — that we’re all trapped as part of a system that ruthlessly destroys people’s lives.
I want people to see this show, not just because I’m in passionate agreement with its message — although, of course, I am — but because it’s *good satire*, dark, mean, smart, and hilarious. It’s wrestling with ideas that almost *nobody* else is onstage right now, so please, please, please make an effort to this show.
That’s really the only explicitly libertarian show I’m aware of in the Festival this year. There are, however, several libertarian *artists* who are producing work, if you’re interested in supporting them:
Descendant of Dragons
This is my show. In the past four years, I’ve been to Canada, Portugal, the Netherlands, Australia, New Zealand, the Fiji Islands, Taiwan, Hong Kong, and China, doing research on my Chinese ancestry — so if you’re interested in going to all of those places in an hour, this is the show for you. Not explicitly political, but one of the major themes of the show is individualism versus collectivism, and my politics become a significant plot point once I actually enter red China towards the end.
Robert Anton Wilson’s Masks of the Illuminati
Robert Anton Wilson may have chosen to call himself a “decentralist grassroots Jeffersonian”, but his tongue-in-cheek approach to conspiracy theory made him something of a cult favorite to libertarians everywhere. The writer/producer, Tim Uren, blew me away last year with a slavishly faithful one-man retelling of H.P. Lovecraft’s “The Rats in the Walls,” so this seems like one hell of a team-up to me.
Bouffon Glass Menajoree
A parody of the Tennessee Williams play. Bouffon clowning is hard to describe — it’s a form of French clowning that’s sick, violent, hedonistic, and grotesque, pretty much the embodiment of contempt for authority. And by contempt, I don’t mean a “ha-ha-let’s-make-fun-of-Bush” contempt, I mean scary, cruel, raping-an-open-chest-wound kind of contempt. If you think that snuff films could use some wacky ragtime music in the background to lighten the mood, this is probably the show for you.
Tom Thumb, or The Tragedy of Tragedies
This is a collaboration between two of the Fringe’s most talented entertainers, and it looks like all kind of whacked-out, trippy fun. The actor cornered me the other night, confiding in me (with all the glee of arrested adolescence) that they’ve made a real effort to cram in all the cock-and-ball jokes they could possibly think of, so that should tell you pretty clearly whether or not you’re in the audience for this.
But I’m Not Bitter: Confessions of a Middle-Aged Lounge Lizard
To be honest, this show’s kind of a crap shoot — I’ve seen a few previews, and it could really be either brilliant or embarrassingly bad. The *script* is funny, smart, poetic at times, shifting between highbrow musings about Dante and Yeats to cheesy, Borscht-belt stand-up.
And, of course, a special mention goes to…
The Tyranny of God’s Love
And not just because he’s the guy that landed me these blogging gigs in the first place. Matt Foster may have some rather suspect lefty tendencies, but his distrust of everyone and everything puts him in entirely appropriate company on this list. Landed number three on my top ten shows I’m most looking forward to seeing, and with good reason.
If you’re interested in more of my thoughts, check out my Fringe blog Womb with a View. Remember, there’s a lot of smart, edgy stuff happening out there — and you can see more than one play a year.